Introduction
to Linguistics 2: Winter 2006
John Goldsmith
Office: Classics 307 Office hours Monday 2-3:00, and I'm available a lot of
the time otherwise -- just call or email.
goldsmith@uchicago.edu
http://humanities.uchicago.edu/faculty/goldsmith
Teaching assistant: Alexander Boccio boccio@uchicago.edu.
Discussion section
IPA fonts: click here. Or google on "IPA fonts SIL download". For detailed information about how to type with phonetic fonts, see an excellent page prepared by Bruce Hayes on this subject. I have copied the most important part of it at the bottom of this page.
Goal of the course:
We will cover this quarter some of the basic ideas involved in phonetics, phonology, morphology, and look at American Sign Language, the language of the Deaf in the United States.
Here's what I hope you'll take away from this course:
First, you will learn to really listen to the sounds of your own language with a language-independent ear. You'll listen to other languages in the same way, too. And this holds for the vowels, the consonants, and the intonation.
Second, you'll understand what a phoneme is: you'll understand the basic idea, and you'll understand something about how the notion can be defined and applied in a precise fashion.
Third, you'll understand a bit about what a word is in English, and in what respects words can be decomposed into component parts, and in what ways new words arise.
Fourth, you'll learn some basic facts about American Sign Language: how the visual-gestural mode of communication is similar to and different from the oral-aural mode, how the language arose historically, and how it is structured in ways parallel to the structuring of spoken language.
Grading policy:
The grade is based on these things:
In reality, class participation can't help but be relevant, too. (Don't believe anyone who says it isn't.)
Your work outside the class consists of two parts: the homework problem sets and the reading. Your homework can be graded directly. The time you spend in reading and thinking about the assigned reading will be evaluated in the midterm and final. A large part of the midterm and the final will consist of questions involving the assigned reading. For that reason, the final exam (but not the midterm) will be open book: you are encouraged to bring the readings with you to the final.
Grading scale: 10: Unbelievably good job: no way could we expect a student to turn in an assignment like this. Rarely do we give this grade. 9: Excellent: exactly what we hoped for. 8: Fine; not perfect, but the most important things were correctly accounted for. 7: Good enough, but some important things were missed, or done wrongly. 6: Not good enough. 5: And it goes down from there.
Overview:
| Week number | Tuesday | Thursday |
| 1 |
January 3: Overview of the course. Introduction to phonetics: how speech sounds are made by humans: source/filter model; articulatory apparatus. Just a bit about acoustic phonetics. |
January 5: The sounds of English, and what we need to describe them. |
| 2 |
January 10:Sounds of French, Spanish; major classes: V/C; sonorants, obstruents, sonority hierarchy. |
January 12: The phoneme: definition of a phonemic analysis. |
| 3 |
January 17: More complex phonemic examples. |
January 20: The syllable, and also rule ordering. |
| 4 | January 24: Yokuts: abstract vowels |
January 26: A case study of complex distribution: the case of the flap in American English. |
| 5 | January 31: Complex tonal system: Bantu | February 2: English intonation |
| 6 | Feb. 7: Current phonological models | Feb 9: Midterm |
| 7 | February 14: History of all of phonology |
February 16 Frequency, information, and phonology |
| 8 |
February 21 Morphology 1 |
February 24: Blind morphological analysis |
| 9 | February 28 : Morphology 2 | March 3: ASL 1 |
| 10 | March 8: ASL 2. | Optional class today: Automatic morphological analysis |
Readings and assignments:
| Week number | Assignment based on this week's work | Reading for this week |
| 1 | i. O'Grady et al: Exercises 2-7, 9, 10 on pp. 52ff:. |
January 3: O'Grady et al.: Pp 15-37; 42; 44-49
|
| 2 |
i. O'Grady et al: Excercises 3, 4, 5, ii. Kongo obstruents |
January 10: Edward Sapir: Sound patterns in language. Language 1 37-51. 1925. . Morris Swadesh. The phonemic principle. Language 10 117-129. 1934. O'Grady et al: Pp. 57-83. Appendix: Hints for solving phonology problems, pp. 99-101.On features: pp. 108-109. |
| 3 |
i. Isthmus Zapotec ii. Indonesian verb prefixes
|
January 17: Leonard Bloomfield: The stressed vowels of American English. Language 11(2) 97-116. 1935. Abigail Cohn: Phonology. Chapter 8 in The Handbook of Linguistics, ed. by Aronoff and Rees-Miller. |
| 4 |
i. Lamba ii. Navajo iii. Palauan?
|
January 24: Yokuts How do Americans flap their /t/s?
|
| 5 | No assignment: study for midterm! |
January 31: Complex tonal system and English intonation John Goldsmith: English as a tone language. |
| 6 Midterm week | i. Abstract vowel system: for weekend after the midterm. |
Feb. 7: Current phonological models John Goldsmith: Aims of autosegmental phonology. If you want to read more about the history of phonology, you can go to this website. |
| 7 | i. Indonesian verb prefixes. |
February 14: John Goldsmith and Bernard Laks: On the origins, principles, and successors to generative phonology. Andrew Spencer: Morphology. Chapter 9 in The Handbook of Linguistics, ed. by Aronoff and Rees-Miller. |
| 8 | i. Blind morphology problem, part 1 |
February 21 |
| 9 | i. Second part of blind problem. |
February 28 : ASL linguistics Wendy Sandler and Diane Lillo-Martin: Natural Sign Languages. Chapter 22 in The Handbook of Linguistics, ed. by Aronoff and Rees-Miller. |
| 10 | March 8: |
In more detail:
| Week number | |||
| 1 |
January 3: An overview of phonetics, phonology, morphology, and the sound side of language. At our first meeting, I will make appropriate introductory remarks, describe the contents of the syllabus. The difference between standard orthography and phonetic transcription. Phonetic transcription has more than one goal: narrow and broad transcriptions. What is the purpose of the transcription? Phonetics; how sounds are made. Source/filter. Link to a good set of slides by Donald Finan, at the University of Colorado. Vowels versus consonants. The source-filter
model of speech production: the vocal folds produce an acoustic signal
with energy distributed over a wide range of frequency, but heavily concentrated
on a fundamental frequency and its (integral) multiples, also known as
its overtones. The fundamental frequency (F0) is the rate at which the
vocal folds open and close. This spectrum is heavily influenced by the articulatory apparatus above it, primarily the mouth. For most of the consonants, the obstruents, addition obstructions in the mouth give rise to further turbulence, a secondary source of acoustic energy. Vowels do not induce further turbulence, but they act as an echo chamber, strengthening some frequencies and weakening others; consonants do this as well, but in a less elegant and refined way. In short, all the activities of the mouth act as a filter applying to the spectrum created by the larynx. The hearer, in turn, must decode the signal into the pieces of information that gave rise to the complex phonetic signal produced by the speaker. (Source of the source-filter model: Some terms of physics for linguists, by G. Oscar Russell; Language 4(2) 1928. Organization of sounds by virtue of how they contrast: phonemic inventories and the nature of distinctions. This brings us to right to the edge of phonology, but we're not ready to go there yet.
Internet: But best of all,
I'd say: Excellent overview of phonetics and phonology by Peter Coxhead |
January 5: The sounds of English. |
|
| 2 |
January 10: Sounds of French, Spanish; major classes: Sonorants, obstruents, sonority hierarchy. Beginning to discussion of the phoneme. Link for German phonetics: http://www.uni-trier.de/~mein4101/Download/ASUManual.pdf
Great link from UIowa with both Spanish and English |
January 12: The
phoneme: definition of a phonemic analysis. While there is infinite variety in the speech sounds as acoustic events, a linguistic utterance is not just an acoustic event but also a symbolic event, and it expresses a sequence of symbols selected from a reasonably small inventory of more abstract sound-based units that are called phonemes. A phonemic analysis of a language is a set of phonemes (roughly 15 - 50 in number in a given language) which have both a symbolic and a phonetic side to them. As symbols, they are concatenated to form the expression of morphemes, while from a phonetic point of view, they are expressed acoustically by a range of expressions within a bounded region. The limits of the bounded regions may vary from one dialect to another. Phonology began with the recognition of this stable interior of languages' sound systems cloaked within a massive range of sound varieties. Some variation is free variation; other variation is set by the context in which the phoneme finds itself. With a knowledge of the principles determining the variation (generally language-particular, not universal), utterances and morphemes can be analyzed as sequences of phonemes. Principles of a satisfactory phonemic analysis of a language: 1. A phonemic analysis
A of a language consists of a finite set of phonemes P; each word can
be assigned a phonemic representation, which is a sequence of phonemes,
and each sequence of phonemes can be realized in one (or more) way(s)
which can be expressed by suitable explicit rules. Key notions: (1) contrast: two sounds are in contrast if there are two distinct words that differ just by the difference between those sounds (key versus tea, for example), (2) conditioned variation: a /t/ is pronounced in one way before a stressed vowel, and another way elsewhere; and (3) free variation: a certain phoneme can be realized in either of two ways with no possible lexical difference between them. (Almost the "you say potato and I say potah-to" case: but "Tate" and "tot" are distinct words in English.) Please read Phonemic analysis after this class.
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| 3 |
January 17: More
complex phonemic examples.
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January 19: History of treatment of the syllable. typology (Kaye and Lowenstamm). Curve and constituency. Arabic word margins; English word margins. Syntax and syllables (Pike, Kuryl)
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| 4 |
January 24: Yawelwani Yokuts: abstract segments and rule ordering
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January 26:
A case study of complex distribution: the case of the flap in American English.
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| 5 |
January 31: Complex tonal system. |
February 2: English intonation
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| 6 |
Feb. 7: Current theories in phonology
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Feb 9: Midterm
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| 7 |
February 14: History of all phonology
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February 16:Frequency, Information theory and phonology
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| 8 |
February 21: Morphology 1 What is a word? What is a morpheme? Can words be broken up (down) into component pieces? Do the pieces have meanings? Allomorphy. Here are some excellent readings to be found on the Internet. Please look into them, and read around in them. Internet readings: What is a word? by Larry Trask Inflectional vs.
derivational morphology:
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February
23 Blind morphological analysis.
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| 9 |
February 28.
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March 2: American
Sign Language 1
Reading assignment:
click
here. |
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| 10 |
ASL 2
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March 9: (optional class: reading period) Automatic learning of morphology. The design of software to automatically learn the morphology of a language. See Linguistica's website.
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From Bruce Hayes' Phonetics Fonts Page (http://www.linguistics.ucla.edu/people/hayes/120a/PhoneticFonts.htm)
Linguists often need to use phonetic fonts to depict utterances with phonetic accuracy. Several free, downloadable phonetic fonts is now available for this purpose, thanks to the Summer Institute of Linguistics.
SIL IPA 93
SIL IPA93 is a collection of True Type phonetic fonts. These are the old-fashioned kind of font, where the symbols actually replace some of the 224 ASCII symbols that normally would depict other characters. Therefore, you have to change fonts when you're word processing.
These fonts are currently used in my teaching (handouts and software), though
I hope to move beyond them sooner or later.
If you're having trouble getting these fonts to work, go to the SILIPA93 Troubleshooting Page.
Gentium
Another phonetic font is the new Gentium font, also available for free download from SIL. This is a Unicode font, so you don't have to switch back and forth between fonts when you use it in word processing--Unicode has room for about 65,000 symbols, so every symbol has its own spot in the system. Gentium in fact is not just a phonetic font; it has the regular Roman letters and supports various foreign languages, too. The appearance of the font is unusual, if elegant, and I find it a bit tricky to read on the computer screen.
This is a big font, so if you use the Insert, Symbol procedure in Word to insert your symbols, you'll have to scroll down through the various character sets until you get to IPA Extensions, which has what you want.
Doulos SIL Beta
Like Gentium, this font is Unicode, so you don't have to switch back and forth between fonts, and can also do various foreign languages with the same font. Doulos SIL matches the Times font that most people use for their word processing, which is nice if that's what you're used to. It shows up clearly on your computer screen. Lastly, unlike the old SILDoulosIPA93 fonts, it doesn't alter the spacing of lines on the page. Available for free download from the Summer Institute of Linguistics.
Doulos SIL is a big font, so if you use the Insert, Symbol procedure in Word to insert your symbols, you'll want to scroll down through the various character sets until you get to IPA Extensions, which has what you want.
Inserting the Symbols with your Word Processor
I know of two ways to do it.
One method is to use the numeric keypad; see this handout for how.
The other method assumes you have Microsoft Word, and requires you to develop a system bit by bit:
The first time you need a symbol, go to Insert, then Symbol, then find your phonetic font, then find your symbol. Click on the symbol to highlight it. Then click on the Shortcut Key button. Choose your shortcut key.
In choosing shortcut keys, I like to use a two-keystroke mnemonic system. Thus, for the IPA "snake" symbol that represents the sound of the letter sequence "sh", I use Ctr Alt Shift s, h. Similarly, the a-e digraph for the vowel of "cat" is Ctr Alt Shift a, e. But you can also use simpler keystrokes for the most common symbols, so for instance I use Ctr e for schwa.
Once you picked your shortcut key combination, click Close, twice. Now, when you type the shortcut sequence, the symbol will pop onto the screen. Gradually, you can develop a full set of shortcut keys in this way.
One more thing: when you set up shortcut keys, the next time you exit Word, you'll be asked if you want to save "normal.dot". The answer is "yes"; normal.dot contains the information about your shortcut keys.
If you set up all your symbols this way, eventually, you'll remember all the codes and be able to word-process phonetic symbols fairly fluently. I have to admit, however, that this system works best if you get a lot of opportunities to practice...